The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 124
... painting itself . It was flat , as a painting is . What showed on its surface , the clouds and lilypads and cat's - paws of wind , the dark patches of reflected foliage , the abysses of dark blue and the opaline shimmer of light from ...
... painting itself . It was flat , as a painting is . What showed on its surface , the clouds and lilypads and cat's - paws of wind , the dark patches of reflected foliage , the abysses of dark blue and the opaline shimmer of light from ...
Pagina 146
... painting , and throughout his career he called himself an artiste - peintre , a phrase more suggestive of craft than temperament . One could not imagine a great predator like Picasso calling himself that . Braque joined the French Army ...
... painting , and throughout his career he called himself an artiste - peintre , a phrase more suggestive of craft than temperament . One could not imagine a great predator like Picasso calling himself that . Braque joined the French Army ...
Pagina 301
... paintings , and was indeed harmful to them . The dispute about who was really the first artist to make an abstract painting is sterile , but Kandinsky was certainly one of the first to expel objects from his work so as to reach a higher ...
... paintings , and was indeed harmful to them . The dispute about who was really the first artist to make an abstract painting is sterile , but Kandinsky was certainly one of the first to expel objects from his work so as to reach a higher ...
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Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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