The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 108
... parody , but solemn unconscious parody . Its examples are legion ; they stretch from the Lincoln Center in New York , that vulgar parody of the Campidoglio , to the brutish blandness of the Kennedy Center for the Performing Arts in ...
... parody , but solemn unconscious parody . Its examples are legion ; they stretch from the Lincoln Center in New York , that vulgar parody of the Campidoglio , to the brutish blandness of the Kennedy Center for the Performing Arts in ...
Pagina 238
... parody , since parody requires some sense of normality in its subject , and Dali's work had none . Its intensity placed it beyond satire . That intensity was also bound up with its small scale - the opposite , in this respect , of ...
... parody , since parody requires some sense of normality in its subject , and Dali's work had none . Its intensity placed it beyond satire . That intensity was also bound up with its small scale - the opposite , in this respect , of ...
Pagina 357
... parody of Ab- stract Expressionism , is like syrup . One imagines a gross , tawdry taste on the tongue , as bright ... parodies America's traditional vision of itself , a fixture since the days of John White and the Virginia colony , as ...
... parody of Ab- stract Expressionism , is like syrup . One imagines a gross , tawdry taste on the tongue , as bright ... parodies America's traditional vision of itself , a fixture since the days of John White and the Virginia colony , as ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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