The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 73
... ( plate 39 ) . Here , photomontage develops a kind of truth of which painting is not capable . If Heartfield's scenes of brute power and social chaos had been drawn , they would have seemed impossibly overwrought . Only the " realism " of ...
... ( plate 39 ) . Here , photomontage develops a kind of truth of which painting is not capable . If Heartfield's scenes of brute power and social chaos had been drawn , they would have seemed impossibly overwrought . Only the " realism " of ...
Pagina 255
... ( plate 174 ) , the figure , sprawled on the floor with a knife - cut in its cervical column , is part scorpion and part sacrificial victim - spiky , bony , and malevolent . Georges Bataille's view that " copulation is the parody of crime ...
... ( plate 174 ) , the figure , sprawled on the floor with a knife - cut in its cervical column , is part scorpion and part sacrificial victim - spiky , bony , and malevolent . Georges Bataille's view that " copulation is the parody of crime ...
Pagina 327
... ( plate 26 ) : a vision of New York's funfair by night , Battle of Lights , Coney Island , 1914 ( plate 220 ) . Though Stella was not a member of the Futurist group , the Battle of Lights is one of the supreme manifesti of the Futurist ...
... ( plate 26 ) : a vision of New York's funfair by night , Battle of Lights , Coney Island , 1914 ( plate 220 ) . Though Stella was not a member of the Futurist group , the Battle of Lights is one of the supreme manifesti of the Futurist ...
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