The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 124
... reality lurking behind its semantic veils , is also the world as glimpsed in Monet's lily - pond ( plate 78 ) . For the pond was as artificial as painting itself . It was flat , as a painting is . What showed on its surface , the clouds ...
... reality lurking behind its semantic veils , is also the world as glimpsed in Monet's lily - pond ( plate 78 ) . For the pond was as artificial as painting itself . It was flat , as a painting is . What showed on its surface , the clouds ...
Pagina 213
... reality - a sur - reality , in the word he borrowed from Apollinaire , who in 1917 had described the ballet Parade , whose collaborators were Picasso , Jean Cocteau , Erik Satie , and Leonid Massine , as producing " une espèce de sur ...
... reality - a sur - reality , in the word he borrowed from Apollinaire , who in 1917 had described the ballet Parade , whose collaborators were Picasso , Jean Cocteau , Erik Satie , and Leonid Massine , as producing " une espèce de sur ...
Pagina 345
... reality , wherever that organ may be , but rather to insulate and estrange us from reality itself , turning everything into disposable spectacle : catastrophe , love , war , soap . Ours is the cult of the electronic fragment . Being so ...
... reality , wherever that organ may be , but rather to insulate and estrange us from reality itself , turning everything into disposable spectacle : catastrophe , love , war , soap . Ours is the cult of the electronic fragment . Being so ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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