The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 384
... seventies , " that one of the quasi - syntactic individuals is a member of the appropriate ontologically provisional set - in a historical way , not just an a priori way ( i.e. , is historical ) ; then a concatenation of the nominal ...
... seventies , " that one of the quasi - syntactic individuals is a member of the appropriate ontologically provisional set - in a historical way , not just an a priori way ( i.e. , is historical ) ; then a concatenation of the nominal ...
Pagina 386
... seventies and into the eighties , resisting the pull towards Minimalist self - effacement while continuing to provide models of clear feeling . In the late seventies and early eighties , it was Frank Stella's fearless panache , linked ...
... seventies and into the eighties , resisting the pull towards Minimalist self - effacement while continuing to provide models of clear feeling . In the late seventies and early eighties , it was Frank Stella's fearless panache , linked ...
Pagina 422
... seventies , had to endure " life classes " which consisted merely of the students ' rolling naked on the floor and splashing one another with paint . But the full effect of this educational liberalism was not felt until the eighties ...
... seventies , had to endure " life classes " which consisted merely of the students ' rolling naked on the floor and splashing one another with paint . But the full effect of this educational liberalism was not felt until the eighties ...
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Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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