The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 85
... social metaphor . Here was process and transformation , the literal renewal of history : heroic materialism at work on the social plane , combining the fragments of an abolished reality into a new , collective pattern . One artist ...
... social metaphor . Here was process and transformation , the literal renewal of history : heroic materialism at work on the social plane , combining the fragments of an abolished reality into a new , collective pattern . One artist ...
Pagina 184
... social matrix in which the building was embedded . The prism- with - variations could go anywhere and serve any purpose . It was also free of ideology ; there is very little difference between the building Mies proposed to Hitler as a ...
... social matrix in which the building was embedded . The prism- with - variations could go anywhere and serve any purpose . It was also free of ideology ; there is very little difference between the building Mies proposed to Hitler as a ...
Pagina 207
... social memory as it stands , there is no such thing as a workable or humane architecture . Hence , most of the " classics " of Utopian planning have come to look inhuman , or even absurd ; they have ceased to work , and to a point where ...
... social memory as it stands , there is no such thing as a workable or humane architecture . Hence , most of the " classics " of Utopian planning have come to look inhuman , or even absurd ; they have ceased to work , and to a point where ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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