The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 63
... street . A remarkable passage in one of Vincent van Gogh's letters , written from The Hague five years before Schwitters ' birth , sets the context for this saint of reclamation : This morning I visited the place where the ...
... street . A remarkable passage in one of Vincent van Gogh's letters , written from The Hague five years before Schwitters ' birth , sets the context for this saint of reclamation : This morning I visited the place where the ...
Pagina 95
... street . They were not fantasies , like modern advertising , but organizations of what was available : what the street gave . The slogans were terse and , to a capitalist eye , naïvely unglamorous : Anyone who is not a shareholder of ...
... street . They were not fantasies , like modern advertising , but organizations of what was available : what the street gave . The slogans were terse and , to a capitalist eye , naïvely unglamorous : Anyone who is not a shareholder of ...
Pagina 207
... street grid was an ideal pattern , and out of the syncopated rhythms of both he distilled his late Manhattan paintings , such as Broadway Boogie Woogie ( plate 142 ) . They are not simply metaphors of New York . Still less can they be ...
... street grid was an ideal pattern , and out of the syncopated rhythms of both he distilled his late Manhattan paintings , such as Broadway Boogie Woogie ( plate 142 ) . They are not simply metaphors of New York . Still less can they be ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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