The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 139
... Studio , 1911 ( plate 88 ) . On one hand , he wants to bring you into this painting : to make you fall into it , like walking through the looking - glass . Thus the box of crayons is put , like a bait , just under your hand , as it was ...
... Studio , 1911 ( plate 88 ) . On one hand , he wants to bring you into this painting : to make you fall into it , like walking through the looking - glass . Thus the box of crayons is put , like a bait , just under your hand , as it was ...
Pagina 146
... studio and removed him from the art world for several years . It separated him from the avant - garde and its febrile schemes and arguments . Instead of painting , he reflected , wrote , and kept journals . When he got back to the easel ...
... studio and removed him from the art world for several years . It separated him from the avant - garde and its febrile schemes and arguments . Instead of painting , he reflected , wrote , and kept journals . When he got back to the easel ...
Pagina 442
... Studio , The ( Matisse ) , 139 , 140 Red Tower , The ( Delaunay ) , 38 , 39 Red Tree , The ( Mondrian ) , 203 , 204 Red Wedge , The ( Kolli ) , 93 , 94 Reich , Wilhelm , 248 reinforced concrete construction , 175 Reliance Building ...
... Studio , The ( Matisse ) , 139 , 140 Red Tower , The ( Delaunay ) , 38 , 39 Red Tree , The ( Mondrian ) , 203 , 204 Red Wedge , The ( Kolli ) , 93 , 94 Reich , Wilhelm , 248 reinforced concrete construction , 175 Reliance Building ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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