The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 159
... tradition within which a modernist art of pleasurable sensation has been made - an art which is rigorous and intelligent , rather than the mere evocation of agreeable feelings - is that of Symbolism : a tradition of equivalents ...
... tradition within which a modernist art of pleasurable sensation has been made - an art which is rigorous and intelligent , rather than the mere evocation of agreeable feelings - is that of Symbolism : a tradition of equivalents ...
Pagina 215
... tradition to the " reasonable " images of nineteenth - century European art . This is the tradition of the irrational , whose modern prong was named Surrealism , and it is the background to de Chirico's art . He had other sources in it ...
... tradition to the " reasonable " images of nineteenth - century European art . This is the tradition of the irrational , whose modern prong was named Surrealism , and it is the background to de Chirico's art . He had other sources in it ...
Pagina 300
... tradition of abstraction and extreme stylization , coupled with elevated spiritual meanings and didactic aims : the tradition of the icon . Add to that his love for folk art - of almost any kind , from Russian peasant weavings to ...
... tradition of abstraction and extreme stylization , coupled with elevated spiritual meanings and didactic aims : the tradition of the icon . Add to that his love for folk art - of almost any kind , from Russian peasant weavings to ...
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Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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