The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 29
... twentieth century - and certainly more than the conceptually inclined Braque - predicated his art on physical sensation . He had an unequalled ability to realize form : to make you feel the shape , the weight , the edginess , the ...
... twentieth century - and certainly more than the conceptually inclined Braque - predicated his art on physical sensation . He had an unequalled ability to realize form : to make you feel the shape , the weight , the edginess , the ...
Pagina 129
... twentieth century , and one of them was his fondness for allegory . He wanted his paintings to be moral fables , and portentous ones at that ; he conceived of himself as a moral teacher , not just an engineer of visual sensation . This ...
... twentieth century , and one of them was his fondness for allegory . He wanted his paintings to be moral fables , and portentous ones at that ; he conceived of himself as a moral teacher , not just an engineer of visual sensation . This ...
Pagina 165
... twentieth century , in many ways , was paper architecture that never got off the drawing board . And only in the twentieth century did earlier ideal schemes acquire such a retrospective importance . For Utopia had been around on paper ...
... twentieth century , in many ways , was paper architecture that never got off the drawing board . And only in the twentieth century did earlier ideal schemes acquire such a retrospective importance . For Utopia had been around on paper ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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