The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 172
... wall of the house was thus an insulated membrane ( sometimes not even insulated ) nailed to a wooden grid , whose vertical studs transferred the load to the foundations . In a brick or stone wall , by contrast , the wall had to carry ...
... wall of the house was thus an insulated membrane ( sometimes not even insulated ) nailed to a wooden grid , whose vertical studs transferred the load to the foundations . In a brick or stone wall , by contrast , the wall had to carry ...
Pagina 180
... wall . Glass brings a new age- Brick buildings are depressing . Such was the drama of emotion , hope , and ... walls are tamed ; the ice - palace is married to the Chicago grid . Mies's output was not large , but his buildings exerted an ...
... wall . Glass brings a new age- Brick buildings are depressing . Such was the drama of emotion , hope , and ... walls are tamed ; the ice - palace is married to the Chicago grid . Mies's output was not large , but his buildings exerted an ...
Pagina 181
... walls , a rationalization for cheapness . " This fallout from his ideas was not , however , what Mies had in mind in 1923 ... wall of the Seagram Building in New York , 1956-8 ( plate 123 ) , Mies could have used steel or aluminium . But ...
... walls , a rationalization for cheapness . " This fallout from his ideas was not , however , what Mies had in mind in 1923 ... wall of the Seagram Building in New York , 1956-8 ( plate 123 ) , Mies could have used steel or aluminium . But ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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