The Shock of the NewKnopf, 1991 - 444 pagina's An illustrated history of modern art describes the origins of modern painting, sculpture, and architecture, shows how world events affected the art, and explains why the movement is near its end. |
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Pagina 127
... wanted a landscape that furnished the kind of sensations they wanted to heighten . Van Gogh's disappearance to Arles in 1888 was part of this move – “ because , " as he wrote to his brother Theo , " not only in Africa but from Arles ...
... wanted a landscape that furnished the kind of sensations they wanted to heighten . Van Gogh's disappearance to Arles in 1888 was part of this move – “ because , " as he wrote to his brother Theo , " not only in Africa but from Arles ...
Pagina 156
... wanted to have color be the origin of the painting , " Noland said in 1969. " I was trying to neutralize the layout , the shape , the composition in order to get at the color . Pollock had indicated getting away from drawing . I wanted ...
... wanted to have color be the origin of the painting , " Noland said in 1969. " I was trying to neutralize the layout , the shape , the composition in order to get at the color . Pollock had indicated getting away from drawing . I wanted ...
Pagina 209
... wanted a new capital : it was necessary , in the opinion of its leader – a narcissistic and touchy supremo named Kubitschek to show the world some economic vigour by conspicuously " opening up " the interior . Bureaucrats hate ports ...
... wanted a new capital : it was necessary , in the opinion of its leader – a narcissistic and touchy supremo named Kubitschek to show the world some economic vigour by conspicuously " opening up " the interior . Bureaucrats hate ports ...
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Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Braque Breton Bruno Taut building Campbells Campbells Campbells Cézanne Cézanne's Chirico's collage Collection colour CONDENSED CONDENSED CONSOMME Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasy feeling figure French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli London look machine Magritte Mark Rothko mass Matisse Matisse's Max Ernst metaphors Miró Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects obsessive Oil on canvas Pablo Picasso painter painting Paris PEPPERPOT Picasso plate political Pollock Pop art reality Rothko Russian sculpture seemed seen sense Seurat social SOUP SOUP SOUP space studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition Utopian visual wanted watercolour Weimar wrote York
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