Surrealist Subversions: Rants, Writings & Images by the Surrealist Movement in the United StatesFrom its auspicious beginnings in the summer of 1966 to the present, the Chicago Surrealist Group--and the Surrealist Movement in the United States, which grew out of it--have continued to foment an exhilarating whirlwind of revolt while playfully igniting the sparks of Poetry, Freedom and Love in the crucible of the Unfettered Imagination. In so doing, it has brightly illuminated the pathways of absolute divergence that define the intrinsically anarchist trajectory of the surrealist adventure.Drawing on the full range of U.S. surrealist publications, from the original journal Arsenal/Surrealist Subversion to the very latest millennial communiqué from the front lines of the ongoing battle against miserabilism, this volume contains over 200 texts (more than two dozen appearing here for the first time) by more than fifty participants in the Surrealist Movement, making this the most comprehensive, diverse and lavishly illustrated compilation of American surrealist writings to have ever been assembled.Contributors include: Gale Ahrens, Jennifer Bean, Jen Besemer, Daniel C. Boyer, Paul Buhle, Ronnie Burk, Leonora Carrington, Laura Corsigilia, Jayne Cortez, Guy Ducornet, Rikki Ducornet, Schlechter Duvall, Alice Farley, J. Allen Fees, Beth Garon, Paul Garon, Eugenio F. Granell, Robert Green, Miriam Hansen, Diedra Harris-Kelley, Jan Hathaway, Corinna Jablonski, Joseph Jablonski, Ted Joans, Gerome Kamrowski, Robin D. G. Kelley, Don LaCoss, Philip Lamantia, Clarence John Laughlin, Mary Low, Herbert Marcuse, Tristan Meinecke, Casandra Stark Mele, Anne Olson, Nancy Joyce Peters, Charles Radcliffe, Myrna Bell Rochester, David Roediger, Franklin Rosemont, Penelope Rosemont, Ody Saban, Louise Simons, Martha Sonnenberg, Christopher Starr, Ivan Svitak, Cheikh Tidiane Sylla, Claude Tarnaud, Debra Taub, Dale Tomich, Patrick Turner, Darryl Lorenzo Wellington, Jordan West, Joel Williams, Marie Wilson, Haifa Zangana |
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Pagina 270
The paper replied, "Doesn't hurt anyone? Addicts steal millions of dollars worth of
goods every year — is that harmless?" By citing the end result (stealing) of the
oppression as the cause of the oppression, the issue is conveniently sidestepped
...
The paper replied, "Doesn't hurt anyone? Addicts steal millions of dollars worth of
goods every year — is that harmless?" By citing the end result (stealing) of the
oppression as the cause of the oppression, the issue is conveniently sidestepped
...
Pagina 346
Published in 1951, The Mark of Oppression by Abram Kardiner and Lionel
Ovesey exerted a considerable influence. Their view, briefly, is that the Negro
has been irreparably damaged by oppression, and this disfigurement partially
explains ...
Published in 1951, The Mark of Oppression by Abram Kardiner and Lionel
Ovesey exerted a considerable influence. Their view, briefly, is that the Negro
has been irreparably damaged by oppression, and this disfigurement partially
explains ...
Pagina 493
To the extent that such intellectuals fail to see that oppression and freedom (and
not just infinitely manipulable images) are at issue, they will not manage to break
from the sorry apologetics characteristic of the deManic capitulation to fascism ...
To the extent that such intellectuals fail to see that oppression and freedom (and
not just infinitely manipulable images) are at issue, they will not manage to break
from the sorry apologetics characteristic of the deManic capitulation to fascism ...
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Inhoudsopgave
Foreword | 15 |
Surrealist Subversions Foreword | 16 |
IntroductionSurrealist Subversion in Chicago | 23 |
Copyright | |
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