Nothing If Not Critical: Selected Essays on Art and ArtistsCollins Harvill, 1990 - 429 pagina's A generous selection of forthright essays on art and artists. Hughes tackles the lives and works of over 80 artists, from the old masters to our contemporaries, exploring their achievement (or lack of it) and how they altered the history of art for better or worse. This much-feted book from Robert Hughes, one of our greatest living art historians, makes a welcome appearance in paperback. A selection of his most important articles, it includes his accounts of the particular skills and vision of some 80 artists - from old masters such as Holbein, Caravaggio, van Dyck and Reynolds to contemporary painters such as Lichtenstein, Bacon, Kitaj and Hockney. Hughes looks too at some of the vexed questions confronting art today. Lawrence Gowing has said that Robert Hughes is 'illuminating and compelling on whatever subject he touches'; this book offers much evidence to support that plaudit. (Kirkus UK). |
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Pagina 27
... Paris from Barcelona in 1900. The forms of fin - de - siècle Paris were to modernism what the marbles of Rome had been to classicism : think only of the Eiffel Tower , or of what Picasso and Braque , in their Cubist paintings , did with ...
... Paris from Barcelona in 1900. The forms of fin - de - siècle Paris were to modernism what the marbles of Rome had been to classicism : think only of the Eiffel Tower , or of what Picasso and Braque , in their Cubist paintings , did with ...
Pagina 135
... Paris is unthinkable without Manet ; Manet unimaginable without Paris . Both were joined again last spring in a centenary exhibition at the Grand Palais . The retrospective was curated by two art historians , Françoise Cachin , of the ...
... Paris is unthinkable without Manet ; Manet unimaginable without Paris . Both were joined again last spring in a centenary exhibition at the Grand Palais . The retrospective was curated by two art historians , Françoise Cachin , of the ...
Pagina 425
... Paris Exposition ( 1889 ) , 141 Paris Salon , 108 , 130 , 140 , 150 , 288 ; of 1853 , 98 ; of 1884 , 103 Paris School , 16 , 220 Partisan Review , 12 Pater , Walter , 357-8 , 359 Pearlstein , Philip , 287–90 ; Two Models in Bamboo ...
... Paris Exposition ( 1889 ) , 141 Paris Salon , 108 , 130 , 140 , 150 , 288 ; of 1853 , 98 ; of 1884 , 103 Paris School , 16 , 220 Partisan Review , 12 Pater , Walter , 357-8 , 359 Pearlstein , Philip , 287–90 ; Two Models in Bamboo ...
Inhoudsopgave
of the City of Mahagonny | 3 |
Ancestors | 31 |
Nineteenth Century | 89 |
Copyright | |
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Nothing If Not Critical: Selected Essays on Art and Artists Robert Hughes Gedeeltelijke weergave - 1992 |
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abstract Abstract Expressionism aesthetic American art American artist Andy Warhol architecture art history art market art world avant-garde Basquiat Baudrillard Bauhaus become Berenson blue canvas Caravaggio career catalogue Cézanne Chirico collectors color Courbet critics Cubist cultural dealers death Degas drawing early Édouard Manet eighties English exhibition expressionist face fantasy feeling figure flat Frank Auerbach French Gallery Gauguin Gogh Goya Goya's Hockney idea imagery imagine Italian Jackson Pollock Jean-Michel Basquiat Kiefer kind Kooning landscape late light living look Manet mass media Matisse matter Michelangelo modern art modernist Motherwell motif Museum Neo-Expressionism never nineteenth century nude obsessed painter painting Paris parody Picasso pictorial picture Pollock portraits Poussin R. B. Kitaj Renaissance retrospective Rome Rothko scene Schnabel sculpture seems seen sense sixties social Steinberg studio style surface things tion Titian turned visual wanted Warhol watercolors York Zurbarán