Nothing If Not Critical: Selected Essays on Art and ArtistsCollins Harvill, 1990 - 429 pagina's A generous selection of forthright essays on art and artists. Hughes tackles the lives and works of over 80 artists, from the old masters to our contemporaries, exploring their achievement (or lack of it) and how they altered the history of art for better or worse. This much-feted book from Robert Hughes, one of our greatest living art historians, makes a welcome appearance in paperback. A selection of his most important articles, it includes his accounts of the particular skills and vision of some 80 artists - from old masters such as Holbein, Caravaggio, van Dyck and Reynolds to contemporary painters such as Lichtenstein, Bacon, Kitaj and Hockney. Hughes looks too at some of the vexed questions confronting art today. Lawrence Gowing has said that Robert Hughes is 'illuminating and compelling on whatever subject he touches'; this book offers much evidence to support that plaudit. (Kirkus UK). |
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Pagina 18
... kind of income level enjoyed by only one American in forty , had never been easy . ( Those who complain about the street squalor of Manhattan as though it were something new should consult the chronicles of New York in the 1840s , when ...
... kind of income level enjoyed by only one American in forty , had never been easy . ( Those who complain about the street squalor of Manhattan as though it were something new should consult the chronicles of New York in the 1840s , when ...
Pagina 75
... kind of exhibit that assigns the Tuts and Pompeiis to the category of show - biz trivia where they belong . To see Chardin's work en masse , in the midst of a period stuffed with every kind of jerky innovation , narcissistic blurting ...
... kind of exhibit that assigns the Tuts and Pompeiis to the category of show - biz trivia where they belong . To see Chardin's work en masse , in the midst of a period stuffed with every kind of jerky innovation , narcissistic blurting ...
Pagina 319
... kind of chance is easily manipulated with practice , and it rhymes suspiciously well with other curves in the painting ( such as the back of the chair in the picture - within - a - picture to the left ) . The truth is that the Bacon one ...
... kind of chance is easily manipulated with practice , and it rhymes suspiciously well with other curves in the painting ( such as the back of the chair in the picture - within - a - picture to the left ) . The truth is that the Bacon one ...
Inhoudsopgave
of the City of Mahagonny | 3 |
Ancestors | 31 |
Nineteenth Century | 89 |
Copyright | |
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Nothing If Not Critical: Selected Essays on Art and Artists Robert Hughes Gedeeltelijke weergave - 1992 |
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abstract Abstract Expressionism aesthetic American art American artist Andy Warhol architecture art history art market art world avant-garde Basquiat Baudrillard Bauhaus become Berenson blue canvas Caravaggio career catalogue Cézanne Chirico collectors color Courbet critics Cubist cultural dealers death Degas drawing early Édouard Manet eighties English exhibition expressionist face fantasy feeling figure flat Frank Auerbach French Gallery Gauguin Gogh Goya Goya's Hockney idea imagery imagine Italian Jackson Pollock Jean-Michel Basquiat Kiefer kind Kooning landscape late light living look Manet mass media Matisse matter Michelangelo modern art modernist Motherwell motif Museum Neo-Expressionism never nineteenth century nude obsessed painter painting Paris parody Picasso pictorial picture Pollock portraits Poussin R. B. Kitaj Renaissance retrospective Rome Rothko scene Schnabel sculpture seems seen sense sixties social Steinberg studio style surface things tion Titian turned visual wanted Warhol watercolors York Zurbarán