Nothing If Not Critical: Selected Essays on Art and ArtistsCollins Harvill, 1990 - 429 pagina's A generous selection of forthright essays on art and artists. Hughes tackles the lives and works of over 80 artists, from the old masters to our contemporaries, exploring their achievement (or lack of it) and how they altered the history of art for better or worse. This much-feted book from Robert Hughes, one of our greatest living art historians, makes a welcome appearance in paperback. A selection of his most important articles, it includes his accounts of the particular skills and vision of some 80 artists - from old masters such as Holbein, Caravaggio, van Dyck and Reynolds to contemporary painters such as Lichtenstein, Bacon, Kitaj and Hockney. Hughes looks too at some of the vexed questions confronting art today. Lawrence Gowing has said that Robert Hughes is 'illuminating and compelling on whatever subject he touches'; this book offers much evidence to support that plaudit. (Kirkus UK). |
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Pagina 78
... landscape in paint what William Wordsworth did to it in verse : he threw out the allegorical fauna that had infested it since Milton and the Rococo - nymphs , satyrs , dryads , Virgilian shepherds and Ovidian spring deities - and ...
... landscape in paint what William Wordsworth did to it in verse : he threw out the allegorical fauna that had infested it since Milton and the Rococo - nymphs , satyrs , dryads , Virgilian shepherds and Ovidian spring deities - and ...
Pagina 144
... landscape gave him confidence . It affected even those paintings in which no landscape occurs , such as the self - portrait of Vincent with a shaved head , gazing not at but past the viewer with an intensity ( conferred by the unearthly ...
... landscape gave him confidence . It affected even those paintings in which no landscape occurs , such as the self - portrait of Vincent with a shaved head , gazing not at but past the viewer with an intensity ( conferred by the unearthly ...
Pagina 147
... landscape : the rapid , shifting notation of dots , speckles and slashes in the drawings , with the white paper burning like noon light behind the sepia ink ; the characteristic spirals of the paintbrush , which link back to the ...
... landscape : the rapid , shifting notation of dots , speckles and slashes in the drawings , with the white paper burning like noon light behind the sepia ink ; the characteristic spirals of the paintbrush , which link back to the ...
Inhoudsopgave
of the City of Mahagonny | 3 |
Ancestors | 31 |
Nineteenth Century | 89 |
Copyright | |
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Nothing If Not Critical: Selected Essays on Art and Artists Robert Hughes Gedeeltelijke weergave - 1992 |
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abstract Abstract Expressionism aesthetic American art American artist Andy Warhol architecture art history art market art world avant-garde Basquiat Baudrillard Bauhaus become Berenson blue canvas Caravaggio career catalogue Cézanne Chirico collectors color Courbet critics Cubist cultural dealers death Degas drawing early Édouard Manet eighties English exhibition expressionist face fantasy feeling figure flat Frank Auerbach French Gallery Gauguin Gogh Goya Goya's Hockney idea imagery imagine Italian Jackson Pollock Jean-Michel Basquiat Kiefer kind Kooning landscape late light living look Manet mass media Matisse matter Michelangelo modern art modernist Motherwell motif Museum Neo-Expressionism never nineteenth century nude obsessed painter painting Paris parody Picasso pictorial picture Pollock portraits Poussin R. B. Kitaj Renaissance retrospective Rome Rothko scene Schnabel sculpture seems seen sense sixties social Steinberg studio style surface things tion Titian turned visual wanted Warhol watercolors York Zurbarán