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Actaeon animals Apollo Appearances Arethusa argument Aristaeus arms Barfield's become bees begins blood bright called cease changed Charon consciousness course Cyrene DanaÔd dance dark daughter death Dionysus earth Enter Eurydice evolution experience eyes fact fall father final flesh follow give gods Group Hades hand head hear heard heart hold human Iacchus ideas imagination keep lead light lips Listen living look lost Maenad meaning memory mother moving myth nature Nereid Nereus never nymph object offstage once original Orpheus participation Persephone phenomena play Poetic polarity present produced relation representations rises river round Satyr Saving Scene Second Chorus seeks sense shape side singing Sisyphus sleep song soul speak spirit stand stop story strong sweet symbol Take Tantalus tell thee thing thinking Third thou thought tion tree true turns Voice Wake whole Zeus
Pagina 7 - I had casually mentioned to my friend CS Lewis that I seemed to be feeling an impulse to write a play in verse and was wondering about a subject, and at the same time that I wanted to keep clear of the sort of ulterior motives I have just referred to.
Pagina 10 - I wonder whether the play, taken as a whole, may not be hinting at a transition from, or rather through, Eros to Agape, neither as a Platonic transfer of attention from carnal copy to ghostly original, nor simply as darkness giving' way to light, but rather as moonlight brightening imperceptibly into sunshine.