Jane Austen's Pride and PrejudiceHarold Bloom Bloom's Literary Criticism, 2007 - 246 pagina's Jane Austen's Pride and Prejudice, perhaps her most recognizable work, is a story of manners, courtship, and marriage in 18th- and 19th-century England. Elizabeth Bennet, the witty heroine of the novel, is Austen's most vibrant and vital literary character. This updated volume presents a perceptive introduction by series editor Harold Bloom and an eclectic collection of full-length essays by respected scholars that will enrich students' academic views on this charming classic. |
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Pagina 50
... natural world . As for the younger Wordsworth in Tintern Abbey , for Elizabeth nature is " [ a ] n appetite , a feeling , and a love " ( 1. 80 ) . Continuing the description of her walk just before Mr. Darcy gives her his letter , the ...
... natural world . As for the younger Wordsworth in Tintern Abbey , for Elizabeth nature is " [ a ] n appetite , a feeling , and a love " ( 1. 80 ) . Continuing the description of her walk just before Mr. Darcy gives her his letter , the ...
Pagina 51
... natural boundaries exist are easily crossed " by a simple bridge , in character with the general air of the scene " ( 253 ) . Elizabeth's response to nature suggests a new openness to feeling , even physicality , not her customary ...
... natural boundaries exist are easily crossed " by a simple bridge , in character with the general air of the scene " ( 253 ) . Elizabeth's response to nature suggests a new openness to feeling , even physicality , not her customary ...
Pagina 195
... natural " to remain with a man she loves . Much has been written about Marianne Dashwood as a parody of sensibility ; Lydia , though , functions as a parody of the Enlightenment's assumption that nature had so designed human nature as ...
... natural " to remain with a man she loves . Much has been written about Marianne Dashwood as a parody of sensibility ; Lydia , though , functions as a parody of the Enlightenment's assumption that nature had so designed human nature as ...
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admiration amusement argues aunt Austen's novels beauty Bingley's Cambridge Caroline Cassandra Catherine's character Charlotte Charlotte Lucas Charlotte's charming Collins Collins's consciousness conversation critics cultural dance Darcy's Darcy's letter daughter delight discourse Elizabeth and Darcy Elizabeth Bennet Emma Emma's example eyes feelings female feminine Feminism feminist Fiction free indirect speech free indirect style Gardiner gender Grandison happy ending Harriet heroine heroine's husband ideology irony Jane Austen Jane's joke judgment kind Knightley Lady Catherine laugh literary liveliness lively London Lydia Lydia Bennet Mansfield Park marriage married Mary Mary Wollstonecraft Meryton mind Miss Bingley mortification narrative narrator nature Netherfield never Northanger Abbey oppositional reading Oxford Pemberley playfulness pleasure Pride and Prejudice proposal reader Richardson's romance Samuel Richardson says seems Sense and Sensibility sexual sister social suggests tells thought truth understanding voice Wickham wife Wollstonecraft's woman women words writing young