Marxism And Media Studies: Key Concepts and Contemporary TrendsPluto Press, 20 jul 2003 - 289 pagina's Although media studies is a popular academic discipline, there are remarkably few books that analyse it from a specifically Marxist perspective. Mike Wayne's book is ideal for all students of media studies who are interested in bringing a radical political methodology to bear on their work. He presents an accessible guide to key Marxist concepts and shows how to apply them to contemporary cultural analysis.Drawing on Marx, Lukacs, Gramsci, Habermas, Jameson and other writers, this book provides a comprehensive exposition of the key concepts required for a Marxist analysis of the media and current cultural trends. Retooling and redeeming such concepts as class, mode of production, culture industries, the state, base-superstructure, ideology, hegemony, knowledge and social interests, and commodity fetishism, this book ranges across film, television, the internet and print media. The analysis is carefully grounded in case studies ranging from digital file swapping to Disney, from reality TV show Big Brother to the spirits and spectres in such films as The Others, The Devil's Backbone and Dark City, which illuminate the fetishisms of culture and society under capital.Exploring the relevance of each concept to understanding the media, Wayne explains why Marxism is an important critical methodology for the media student to engage with. He foregrounds the theoretical and political shifts that have led to its marginalisation in recent years, and highlights how and why these trends are changing as once more, people return to Marx and Marxism to understand the world around them. |
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Pagina 222
... dialectics as a prototypical and transposable model . What class as a transposable model brings to the social researcher is a rich tradition of critical thinking about the dialectical relations between the social researcher ...
... dialectics as a prototypical and transposable model . What class as a transposable model brings to the social researcher is a rich tradition of critical thinking about the dialectical relations between the social researcher ...
Pagina 255
... dialectical . One cannot ground intersubjectivity and rationality in the structures of meaning alone ( communicative reason ) while bracketing off the meaning of structures ( the mode of production ) . The resistance which Habermasian ...
... dialectical . One cannot ground intersubjectivity and rationality in the structures of meaning alone ( communicative reason ) while bracketing off the meaning of structures ( the mode of production ) . The resistance which Habermasian ...
Pagina 266
... dialectical synthesis of the antinomy which structures the philosophy of knowledge ( as well as the documentary tradition ) and the split subject lies in the social force ( labour ) which carries within it the seeds or potentiality of ...
... dialectical synthesis of the antinomy which structures the philosophy of knowledge ( as well as the documentary tradition ) and the split subject lies in the social force ( labour ) which carries within it the seeds or potentiality of ...
Inhoudsopgave
Technology and New Media | 38 |
Hollywoods MediaIndustrial Complex | 61 |
Regulating the Impossible | 87 |
Copyright | |
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Marxism and Media Studies: Key Concepts and Contemporary Trends Mike Wayne Geen voorbeeld beschikbaar - 2017 |
Veelvoorkomende woorden en zinsdelen
abstract advertising analysis appearance-forms argued audience autonomy base-superstructure become Big Brother bourgeois broadcasting capital capital's capitalist mode Chapter cinema commodity fetishism communication companies competition concept concrete conflict consciousness consumer context contradiction corporate crisis critical critique dialectical discourse Disney dominant example film forces of production Fordism global Gramsci Habermas historical Hollywood human labour ideology immanence industry Internet intersubjectivity ITV Digital Jameson knowledge labour power language logic London Lukács Marx Marx's Marxian Marxism material means media policy middle class mode of development mode of production monopoly Napster object organised paradigm particular philosophy post-Fordism postmodern practices Press production process productive forces profit programme public sphere question reality reification relations of production representation repression Saussurean sense signifying signs social relations society strategies structure superstructure surplus value television theory tion use-value workers Žižek