A Night in at the Opera: Media Representations of OperaJeremy Tambling Indiana University Press, 1994 - 310 pagina's Offering an arresting range of accounts by specialists in music, media, and popular culture on how the popular arts have represented opera, this book raises issues about the sociology of music and its implications for television and video culture. |
Inhoudsopgave
A Non History | 25 |
Memoirs of an Accidental Film Artist | 53 |
Movies as Opera Behind the Great Divide | 77 |
Wagner and Popular Culture | 113 |
Matters of Life and Death in Powell and Pressburgers | 145 |
Opera Cinema and Homoerotic Desire | 169 |
The National Dimension? Verdi and Bernardo Bertolucci | 219 |
Unsystematic Reflections | 253 |
bel canto by Satellite | 267 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
Amahl aria artistic Aschenbach Athos audience Bayreuth Bertolucci Britten's broadcast Callas camera cuts Caterina character cinema composer critics dance Death in Venice desire director drama emotional Erich Wolfgang Korngold father female film music film's German Geschwitz Giovanni Giulietta Harpo Hoffmann Hollywood homoerotic homosexual Il trovatore Italian Italy Korngold Leonora lesbian London look Lulu male Mann's Manrico Maria Callas Menotti mother movie music video narrative Olympia opera-house orchestra original Parsifal performance Peter play political popular culture postmodern Powell present production programme Puccini recording Riccardo Richard Strauss Rigoletto scene Schroeter screen Sellars sense sequence sexual shot singers singing sound soundtrack spectacle spectator stage story suggests Tadzio Tales of Hoffmann techniques television opera tenor theatre theatrical theme Theodor Adorno three tenors Tosca traditional trovatore Turandot Verdi viewers Visconti visual vocal voice Wagner's music Wagnerian Wedekind Werner Schroeter women York
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