Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 17
... American , " writes Rogin of the first " talkie " The Jazz Singer ( 1927 ) . 29 In other work Rogin speaks cogently of the way " Racial cross - dressing turned Europeans into Americans ... immigrants Americanized themselves by crossing ...
... American , " writes Rogin of the first " talkie " The Jazz Singer ( 1927 ) . 29 In other work Rogin speaks cogently of the way " Racial cross - dressing turned Europeans into Americans ... immigrants Americanized themselves by crossing ...
Pagina 30
... American history typically attributes this great flowering of achievement to three primary occurrences : the mass migration of African Americans from the rural South to the Northern cities , the relative economic prosperity enjoyed by ...
... American history typically attributes this great flowering of achievement to three primary occurrences : the mass migration of African Americans from the rural South to the Northern cities , the relative economic prosperity enjoyed by ...
Pagina 39
... American culture . " 36 In as much as it is an unwieldy and sacrilegious task ( Gershwin is , after all , an American hero ) , musicologists must consider dismantling the screen of race and racism in American music . We must do this not ...
... American culture . " 36 In as much as it is an unwieldy and sacrilegious task ( Gershwin is , after all , an American hero ) , musicologists must consider dismantling the screen of race and racism in American music . We must do this not ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York