Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 6
... minstrelsy as both a projection of white expectations of blackness and a sounding board for audiences about modern ... American racialized ideologies in both nineteenth- and early twentieth - century contexts . Building off the groundbreaking ...
... minstrelsy as both a projection of white expectations of blackness and a sounding board for audiences about modern ... American racialized ideologies in both nineteenth- and early twentieth - century contexts . Building off the groundbreaking ...
Pagina 23
... minstrel legacy in American popular music . It observes specifically the way in which nineteenth - century blackface minstrelsy powerfully informs the development and experience of popular music in the twentieth century . While the ...
... minstrel legacy in American popular music . It observes specifically the way in which nineteenth - century blackface minstrelsy powerfully informs the development and experience of popular music in the twentieth century . While the ...
Pagina 72
... American figures who influenced and in turn were influenced by associations with American minstrelsy and the invented discourse of passing . Their racially constructed personae emphasize an ambiguous , sonic blackness figured within a ...
... American figures who influenced and in turn were influenced by associations with American minstrelsy and the invented discourse of passing . Their racially constructed personae emphasize an ambiguous , sonic blackness figured within a ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York