Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 17
... American , reacting strongly against highbrow cultural distinctions of a European classical music canon while they simultaneously intensified their belief in a nationalist and racialized sound in music . Work by cultural historian ...
... American , reacting strongly against highbrow cultural distinctions of a European classical music canon while they simultaneously intensified their belief in a nationalist and racialized sound in music . Work by cultural historian ...
Pagina 32
... musical expressions representing a gamut of American vernacular social experiences . Nearly all of these characterizations imbued the music with racist and elitist affronts : " In the course of its filtration from the South to a small ...
... musical expressions representing a gamut of American vernacular social experiences . Nearly all of these characterizations imbued the music with racist and elitist affronts : " In the course of its filtration from the South to a small ...
Pagina 79
... America : A New View . New York : Institute for Studies in American Music , 1988 . Craft , William . Running a Thousand Miles for Freedom ; or the Escape of William and Elen Craft from Slavery . Miami : Mnemosyne Publishing , 1969 ...
... America : A New View . New York : Institute for Studies in American Music , 1988 . Craft , William . Running a Thousand Miles for Freedom ; or the Escape of William and Elen Craft from Slavery . Miami : Mnemosyne Publishing , 1969 ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York