Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 6
... Dan Emmett and the Rise of Early Negro Minstrelsy ( Norman , Oklahoma : University of Oklahoma Press , 1962 ) . Lott chronicles the minstrel show in America from its inception 6.
... Dan Emmett and the Rise of Early Negro Minstrelsy ( Norman , Oklahoma : University of Oklahoma Press , 1962 ) . Lott chronicles the minstrel show in America from its inception 6.
Pagina 53
... Dan Emmett , is said to have learned to play the black style of banjo from a member of what might be called today " poor white trash " , who was in his estimation “ a very ignorant person , and ' nigger all over ' except in color . " 11 ...
... Dan Emmett , is said to have learned to play the black style of banjo from a member of what might be called today " poor white trash " , who was in his estimation “ a very ignorant person , and ' nigger all over ' except in color . " 11 ...
Pagina 81
... . Cambridge , Massachusetts : Harvard University Press , 1992 . Mullen , Harryette . " Optic White : Blackness and the Production of Whiteness , " diacritics 24.2-3 ( Summer - Fall 1994 ) : 72 . Nathan , Hans . Dan Emmett and the Rise of ...
... . Cambridge , Massachusetts : Harvard University Press , 1992 . Mullen , Harryette . " Optic White : Blackness and the Production of Whiteness , " diacritics 24.2-3 ( Summer - Fall 1994 ) : 72 . Nathan , Hans . Dan Emmett and the Rise of ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York