Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
Vanuit het boek
Resultaten 1-3 van 7
Pagina 21
... Ellison's Mr. Kimbro says to Invisible Man in the classic American novel , 32 " The idea [ behind Optic White paint ] ... Ellison , Invisible Man ( New York : New American Library , 1952 ) , 175 . 33 Ellison , 177 . I 1 How befitting this ...
... Ellison's Mr. Kimbro says to Invisible Man in the classic American novel , 32 " The idea [ behind Optic White paint ] ... Ellison , Invisible Man ( New York : New American Library , 1952 ) , 175 . 33 Ellison , 177 . I 1 How befitting this ...
Pagina 65
... Ellison . His essay , " Change the Joke and Slip the Yoke , " highlights the racial ambiguities involved in the humor of masking . Ellison calls the mask the " willful stylization and modification of the natural face and hands , " an ...
... Ellison . His essay , " Change the Joke and Slip the Yoke , " highlights the racial ambiguities involved in the humor of masking . Ellison calls the mask the " willful stylization and modification of the natural face and hands , " an ...
Pagina 72
... Ellison , " imitated the steps so gravely performed by the masters within . " 1 The rest of the minstrel account is as grotesque as any Ellison depiction . White men , seeing these imitations of the dance , donned the blackface and ...
... Ellison , " imitated the steps so gravely performed by the masters within . " 1 The rest of the minstrel account is as grotesque as any Ellison depiction . White men , seeing these imitations of the dance , donned the blackface and ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
1 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
African American ambiguous American culture American music American popular music analysis appear appropriate argue articulated aspects attempt audiences authentic became become blackface minstrelsy cartoon character characterizations Chicago classical considered context continues copy critical cultural Dan Emmett dance desire difference discourse discuss Disney distinctions early Ellison enabled essay exist experience face fact fascination figures framework George Gershwin Gershwin gestures global Harlem helped identity ideology imitation interest interpretation Ironically jazz Jazz Age Jewish Jews legacy means Mickey Mouse Mickey's minstrel show minstrel tradition musicological Negro never nineteenth nineteenth-century blackface notions opera parody passing perceived performers phenomenon play popular music Porgy and Bess present primitive production race racial Renaissance representation represents Roediger seems sense significant slave social society song sound South speaks stage stereotypes story suggests transformation turn twentieth century University Press Western writes York