Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 29
... Harlem Renaissance is indebted to " Harlem Renaissance ( 1919-1940 ) Introduction " in The Norton Anthology of African American Literature , edited by Henry Louis Gates , Jr. and Nellie Y. McKay ( New York : W.W. Norton & Company , 1997 ) ...
... Harlem Renaissance is indebted to " Harlem Renaissance ( 1919-1940 ) Introduction " in The Norton Anthology of African American Literature , edited by Henry Louis Gates , Jr. and Nellie Y. McKay ( New York : W.W. Norton & Company , 1997 ) ...
Pagina 30
... Harlem was indeed a magnet and an ideal location for such a proliferation to occur . American history typically ... Harlem was chosen as " The Culture Capital , " uniting various masses , classes and races of American society . " [ T ] ...
... Harlem was indeed a magnet and an ideal location for such a proliferation to occur . American history typically ... Harlem was chosen as " The Culture Capital , " uniting various masses , classes and races of American society . " [ T ] ...
Pagina 31
... Harlem celebrity and American folklorist Zora Neale Hurston coined the term " Negrotarians " for those whites who were especially adept at uplifting and capitalizing on the Negro race.15 The sentiment is perhaps best articulated by ...
... Harlem celebrity and American folklorist Zora Neale Hurston coined the term " Negrotarians " for those whites who were especially adept at uplifting and capitalizing on the Negro race.15 The sentiment is perhaps best articulated by ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York