Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 17
... jazz - helped to shift American popular music's status from the margins to the center of a new discourse on American national ideology . The white jazz age musicians of the 1920s took the signifiers of blackness and maleness , i.e. ...
... jazz - helped to shift American popular music's status from the margins to the center of a new discourse on American national ideology . The white jazz age musicians of the 1920s took the signifiers of blackness and maleness , i.e. ...
Pagina 54
... jazz age , " white musicians like Paul Whiteman and his Orchestra attempted to do the same . In negotiating those spaces , both the nineteenth - century blackface performers and those white performers of jazz - derived music of the ...
... jazz age , " white musicians like Paul Whiteman and his Orchestra attempted to do the same . In negotiating those spaces , both the nineteenth - century blackface performers and those white performers of jazz - derived music of the ...
Pagina 55
... jazz age musicians of the 1920s took the signifiers of blackness and maleness , i.e. , danger and difference , and ... jazz through submission : transforming it into a truly American music . In the Jazz Age , white men sought to ...
... jazz age musicians of the 1920s took the signifiers of blackness and maleness , i.e. , danger and difference , and ... jazz through submission : transforming it into a truly American music . In the Jazz Age , white men sought to ...
Inhoudsopgave
in the American Racial Identity | 4 |
Chapter | 19 |
the American Minstrel and Global Signifier | 49 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York