Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 17
... jazz - helped to shift American popular music's status from the margins to the center of a new discourse on American national ideology . The white jazz age musicians of the 1920s took the signifiers of blackness and maleness , i.e. ...
... jazz - helped to shift American popular music's status from the margins to the center of a new discourse on American national ideology . The white jazz age musicians of the 1920s took the signifiers of blackness and maleness , i.e. ...
Pagina 54
... jazz age , " white musicians like Paul Whiteman and his Orchestra attempted to do the same . In negotiating those spaces , both the nineteenth - century blackface performers and those white performers of jazz - derived music of the ...
... jazz age , " white musicians like Paul Whiteman and his Orchestra attempted to do the same . In negotiating those spaces , both the nineteenth - century blackface performers and those white performers of jazz - derived music of the ...
Pagina 55
... jazz age musicians of the 1920s took the signifiers of blackness and maleness , i.e. , danger and difference , and ... jazz through submission : transforming it into a truly American music . In the Jazz Age , white men sought to ...
... jazz age musicians of the 1920s took the signifiers of blackness and maleness , i.e. , danger and difference , and ... jazz through submission : transforming it into a truly American music . In the Jazz Age , white men sought to ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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