Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
Vanuit het boek
Resultaten 1-3 van 12
Pagina 33
... Jewish " and " WASP " societies . The connection between Jewish / black racial identity and the reincarnation of American Jews as “ white ” is not to be considered lightly . In “ Blackface , White Noise , " Michael Rogin outlines the ...
... Jewish " and " WASP " societies . The connection between Jewish / black racial identity and the reincarnation of American Jews as “ white ” is not to be considered lightly . In “ Blackface , White Noise , " Michael Rogin outlines the ...
Pagina 34
... Jewish assimilation through the blackface " became a means through which they could hide their real identities as Jews . " 2 Expanding on this argument , and taking my cue from Werner Sollor's title Neither Black Nor White Yet Both , I ...
... Jewish assimilation through the blackface " became a means through which they could hide their real identities as Jews . " 2 Expanding on this argument , and taking my cue from Werner Sollor's title Neither Black Nor White Yet Both , I ...
Pagina 80
... Jews , Jewish Blacks , and the Vagaries of Racial Definition , " Transition 64 ( 1994 ) : 44-5 . Ginsberg , Elaine . Passing and the Fictions of Identity . Durham : Duke University Press , 1996 . Goldberg , Isaac and Edith Garson ...
... Jews , Jewish Blacks , and the Vagaries of Racial Definition , " Transition 64 ( 1994 ) : 44-5 . Ginsberg , Elaine . Passing and the Fictions of Identity . Durham : Duke University Press , 1996 . Goldberg , Isaac and Edith Garson ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
1 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
African American ambiguous American culture American music American popular music analysis appear appropriate argue articulated aspects attempt audiences authentic became become blackface minstrelsy cartoon character characterizations Chicago classical considered context continues copy critical cultural Dan Emmett dance desire difference discourse discuss Disney distinctions early Ellison enabled essay exist experience face fact fascination figures framework George Gershwin Gershwin gestures global Harlem helped identity ideology imitation interest interpretation Ironically jazz Jazz Age Jewish Jews legacy means Mickey Mouse Mickey's minstrel show minstrel tradition musicological Negro never nineteenth nineteenth-century blackface notions opera parody passing perceived performers phenomenon play popular music Porgy and Bess present primitive production race racial Renaissance representation represents Roediger seems sense significant slave social society song sound South speaks stage stereotypes story suggests transformation turn twentieth century University Press Western writes York