Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 32
... Jolson , depicted in blackface , recorded Gershwin's sentimental song Swanee ( 1919 ) in a production from George White's Scandals . The piece sold one million copies in sheet music and over two million copies as a hit phonograph.20 By ...
... Jolson , depicted in blackface , recorded Gershwin's sentimental song Swanee ( 1919 ) in a production from George White's Scandals . The piece sold one million copies in sheet music and over two million copies as a hit phonograph.20 By ...
Pagina 36
... Jolson was keenly interested in bringing a blackfaced Porgy to the stage , a fact that seemed to underwhelm Gershwin . He wrote the novel's author , saying , It is very interesting that Jolson would like to play the part of Porgy , but ...
... Jolson was keenly interested in bringing a blackfaced Porgy to the stage , a fact that seemed to underwhelm Gershwin . He wrote the novel's author , saying , It is very interesting that Jolson would like to play the part of Porgy , but ...
Pagina 58
... Jolson's 1927 performance in The Jazz Singer . The Jazz Singer , billed as the first " all singing , all - talking film " ever created , featured Al Jolson in blackface sentimentally crying for his ' Mammy ' while on bended knee.19 ...
... Jolson's 1927 performance in The Jazz Singer . The Jazz Singer , billed as the first " all singing , all - talking film " ever created , featured Al Jolson in blackface sentimentally crying for his ' Mammy ' while on bended knee.19 ...
Inhoudsopgave
in the American Racial Identity | 4 |
Chapter | 19 |
the American Minstrel and Global Signifier | 49 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York