Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 16
... Michael Taussig calls " the power of the copy to influence what it is a copy of . " 28 These new interpolations , propelled by minstrelsy's latent energy , helped complicate and bring to the forefront issues of racial identity in music ...
... Michael Taussig calls " the power of the copy to influence what it is a copy of . " 28 These new interpolations , propelled by minstrelsy's latent energy , helped complicate and bring to the forefront issues of racial identity in music ...
Pagina 62
... Michael Taussig's Mimesis and Alterity speak cogently to this issue of human mimesis . Benjamin cites the translation as a " loving " copy of the original , while Taussig references the copy as " second nature . " 29 Both clarify that a ...
... Michael Taussig's Mimesis and Alterity speak cogently to this issue of human mimesis . Benjamin cites the translation as a " loving " copy of the original , while Taussig references the copy as " second nature . " 29 Both clarify that a ...
Pagina 83
... Taussig , Michael . Mimesis and Alterity : A Particular History of the Senses . New York : Routledge , 1993 . Thomson , Virgil . " George Gershwin . ” Modern Music . ( November - December 1935 ) : 16-17 . Toll , Robert . Blacking Up ...
... Taussig , Michael . Mimesis and Alterity : A Particular History of the Senses . New York : Routledge , 1993 . Thomson , Virgil . " George Gershwin . ” Modern Music . ( November - December 1935 ) : 16-17 . Toll , Robert . Blacking Up ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York