Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 50
... Mickey's significance in this way : Like yin and yang , like the Christian cross and the star of Israel , Mickey can be seen everywhere — a sign , a rune , a hieroglyphic ; trace of a secret power , an electricity we want to plug into ...
... Mickey's significance in this way : Like yin and yang , like the Christian cross and the star of Israel , Mickey can be seen everywhere — a sign , a rune , a hieroglyphic ; trace of a secret power , an electricity we want to plug into ...
Pagina 56
... Mickey's antics helped to keep America grinning through it all . By the early thirties , Mickey was America's Golden ... Mickey's popularity was ever - expanding . By the mid - thirties his image was quickly rivaling Santa Claus as the ...
... Mickey's antics helped to keep America grinning through it all . By the early thirties , Mickey was America's Golden ... Mickey's popularity was ever - expanding . By the mid - thirties his image was quickly rivaling Santa Claus as the ...
Pagina 66
... Mickey Mouse was transformed into a postmodern global sign with multiple meanings . Updike writes that , The thirties were Mickey's conquering decade . His image circled the globe . In Africa , tribesmen painfully had tiny mosaic Mickey ...
... Mickey Mouse was transformed into a postmodern global sign with multiple meanings . Updike writes that , The thirties were Mickey's conquering decade . His image circled the globe . In Africa , tribesmen painfully had tiny mosaic Mickey ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York