Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 56
... Mouse . Historically situated , Mickey Mouse's image has come to represent the archetypal hero , the Everyman , the all - around nice guy . Like the blackface minstrels of the nineteenth century , Mickey's 1920s and 1930s images present ...
... Mouse . Historically situated , Mickey Mouse's image has come to represent the archetypal hero , the Everyman , the all - around nice guy . Like the blackface minstrels of the nineteenth century , Mickey's 1920s and 1930s images present ...
Pagina 57
The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey Mouse Maya C. Gibson. Arguably , Mickey Mouse's growth to mythic dimensions reinforced America's larger myths of progress and promise in two ways : first by ...
The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey Mouse Maya C. Gibson. Arguably , Mickey Mouse's growth to mythic dimensions reinforced America's larger myths of progress and promise in two ways : first by ...
Pagina 66
... Mouse cartoons for them.37 While I'm not certain if Updike was intentionally pulling our leg with the above reference ( e.g. Exactly where in Africa did all of these occurrences take place ? ) , I am certain of the fact of Mickey Mouse's ...
... Mouse cartoons for them.37 While I'm not certain if Updike was intentionally pulling our leg with the above reference ( e.g. Exactly where in Africa did all of these occurrences take place ? ) , I am certain of the fact of Mickey Mouse's ...
Inhoudsopgave
in the American Racial Identity | 4 |
Chapter | 19 |
the American Minstrel and Global Signifier | 49 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York