Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 30
... Negro " dependence on the land and vocational skills , to self- reliant " New Negro " intellectualism and self - pride . For the first time since the brief Reconstruction Era of the 1870s , one might argue that there existed a viable ...
... Negro " dependence on the land and vocational skills , to self- reliant " New Negro " intellectualism and self - pride . For the first time since the brief Reconstruction Era of the 1870s , one might argue that there existed a viable ...
Pagina 31
... Negro entertainment as diversion .... [ but ] [ n ] ow Negroes go to their own cabarets to see how white people act . " Astutely , he continues , And what do we see ? Why we see them actually playing Negro games . I watch them in that ...
... Negro entertainment as diversion .... [ but ] [ n ] ow Negroes go to their own cabarets to see how white people act . " Astutely , he continues , And what do we see ? Why we see them actually playing Negro games . I watch them in that ...
Pagina 42
... Negro meeting on a remote sea island , George started " shouting " with them . And eventually to their huge delight stole the show from their champion " shouter . " I think that he is probably the only white man in America who could ...
... Negro meeting on a remote sea island , George started " shouting " with them . And eventually to their huge delight stole the show from their champion " shouter . " I think that he is probably the only white man in America who could ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York