Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
Vanuit het boek
Resultaten 1-3 van 11
Pagina 8
... Roediger he locates the tension of minstrelsy among the working - class , especially within the rituals of charivari , or in exhibitions of rough music enacted by " men who render the night hideous by their yelling , drum - beatings ...
... Roediger he locates the tension of minstrelsy among the working - class , especially within the rituals of charivari , or in exhibitions of rough music enacted by " men who render the night hideous by their yelling , drum - beatings ...
Pagina 12
... Roediger notes , " blackfaced whites derived their consciousness by measuring themselves against a group they ... Roediger , Wages , 118 . 14 Harryette Mullen . " Optic White : Blackness and the Production of Whiteness ” diacritics 24.2 ...
... Roediger notes , " blackfaced whites derived their consciousness by measuring themselves against a group they ... Roediger , Wages , 118 . 14 Harryette Mullen . " Optic White : Blackness and the Production of Whiteness ” diacritics 24.2 ...
Pagina 14
... Roediger states , " early minstrels delighted in claiming to be a ' student of the negro ' and therefore ' authentic ' performers . " 20 This mentality is set in direct opposition to the white transcribers of slave songs who ...
... Roediger states , " early minstrels delighted in claiming to be a ' student of the negro ' and therefore ' authentic ' performers . " 20 This mentality is set in direct opposition to the white transcribers of slave songs who ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
1 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
African American ambiguous American culture American music American popular music analysis appear appropriate argue articulated aspects attempt audiences authentic became become blackface minstrelsy cartoon character characterizations Chicago classical considered context continues copy critical cultural Dan Emmett dance desire difference discourse discuss Disney distinctions early Ellison enabled essay exist experience face fact fascination figures framework George Gershwin Gershwin gestures global Harlem helped identity ideology imitation interest interpretation Ironically jazz Jazz Age Jewish Jews legacy means Mickey Mouse Mickey's minstrel show minstrel tradition musicological Negro never nineteenth nineteenth-century blackface notions opera parody passing perceived performers phenomenon play popular music Porgy and Bess present primitive production race racial Renaissance representation represents Roediger seems sense significant slave social society song sound South speaks stage stereotypes story suggests transformation turn twentieth century University Press Western writes York