Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 32
... South to a small but noisy point called Manhattan Island , " wrote one newspaper critic , " it has undergone something decidedly more than a sea change . It reaches from the black South to the black North , but in between it has been ...
... South to a small but noisy point called Manhattan Island , " wrote one newspaper critic , " it has undergone something decidedly more than a sea change . It reaches from the black South to the black North , but in between it has been ...
Pagina 37
... South Carolina and life as it affects them . Porgy , " a cripple , " falls in love with Bess , " an easy living woman " who has as many vices as she has suitors . Each of the story's three male protagonists , Crown ( a villanous ...
... South Carolina and life as it affects them . Porgy , " a cripple , " falls in love with Bess , " an easy living woman " who has as many vices as she has suitors . Each of the story's three male protagonists , Crown ( a villanous ...
Pagina 38
... South to " Noo York " in search of Bess , it reflects the very same format with which nineteenth - century minstrel show audiences would have been extremely familiar , only inverted . Nineteenth - century productions narrated the ...
... South to " Noo York " in search of Bess , it reflects the very same format with which nineteenth - century minstrel show audiences would have been extremely familiar , only inverted . Nineteenth - century productions narrated the ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York