Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 15
... Tin Pan Alley , radio and film . What began in the nineteenth century primarily as an attempt to parody and condemn ( albeit for a complex of reasons , as Lott shows ) , became nuanced by an emblematic veneration for blackness ...
... Tin Pan Alley , radio and film . What began in the nineteenth century primarily as an attempt to parody and condemn ( albeit for a complex of reasons , as Lott shows ) , became nuanced by an emblematic veneration for blackness ...
Pagina 28
... Tin Pan Alley , and the Hollywood film industry . Signifying more than a mere lampoon aimed at a subjugated element of American society , this reabsorption of the blackface into twentieth century media enabled white men to temporarily ...
... Tin Pan Alley , and the Hollywood film industry . Signifying more than a mere lampoon aimed at a subjugated element of American society , this reabsorption of the blackface into twentieth century media enabled white men to temporarily ...
Pagina 47
... Tin Pan Alley was one secure place where an American Jew could , for a while , exert influence on top rather than on the bottom of the social hierarchy . One possibility I have already suggested is that Gershwin could become rich and ...
... Tin Pan Alley was one secure place where an American Jew could , for a while , exert influence on top rather than on the bottom of the social hierarchy . One possibility I have already suggested is that Gershwin could become rich and ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York