Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 18
... appear at first more disparate than congruent ( Mickey is , after all , a cartoon caper ) , among them I see striking similarities . Not only did they both acquire a fame in the twenties and thirties that propelled them into an iconic ...
... appear at first more disparate than congruent ( Mickey is , after all , a cartoon caper ) , among them I see striking similarities . Not only did they both acquire a fame in the twenties and thirties that propelled them into an iconic ...
Pagina 35
... appear to be at odds : Truth is , that Gershwin was the first generation son of Russian immigrant Jews , and was probably not recognized as fully white in proper American circles . Truth is , also , that Gershwin looked racially ...
... appear to be at odds : Truth is , that Gershwin was the first generation son of Russian immigrant Jews , and was probably not recognized as fully white in proper American circles . Truth is , also , that Gershwin looked racially ...
Pagina 42
... appear to 42 Merle Armitage , George Gershwin ( New York : Longmans , Green and Co , 1938 ; reprint ( New York : Da Capo Press , 1995 ) , 39 . 43 Roediger , The Wages of Whiteness , 116-117 . 44 Lott , 50 . 45 bell hooks , Black Looks ...
... appear to 42 Merle Armitage , George Gershwin ( New York : Longmans , Green and Co , 1938 ; reprint ( New York : Da Capo Press , 1995 ) , 39 . 43 Roediger , The Wages of Whiteness , 116-117 . 44 Lott , 50 . 45 bell hooks , Black Looks ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American ambiguous American culture American music American popular music analysis appear appropriate argue articulated aspects attempt audiences authentic became become blackface minstrelsy cartoon character characterizations Chicago classical considered context continues copy critical cultural Dan Emmett dance desire difference discourse discuss Disney distinctions early Ellison enabled essay exist experience face fact fascination figures framework George Gershwin Gershwin gestures global Harlem helped identity ideology imitation interest interpretation Ironically jazz Jazz Age Jewish Jews legacy means Mickey Mouse Mickey's minstrel show minstrel tradition musicological Negro never nineteenth nineteenth-century blackface notions opera parody passing perceived performers phenomenon play popular music Porgy and Bess present primitive production race racial Renaissance representation represents Roediger seems sense significant slave social society song sound South speaks stage stereotypes story suggests transformation turn twentieth century University Press Western writes York