Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 11
... appropriate and commodify the black experience . It is safe to argue that the participation in blackface passing in minstrelsy further strengthened racist 12 American Heritage Dictionary denotation of " pass for . " ideologies by ...
... appropriate and commodify the black experience . It is safe to argue that the participation in blackface passing in minstrelsy further strengthened racist 12 American Heritage Dictionary denotation of " pass for . " ideologies by ...
Pagina 21
... appropriate and commodify at the expense of black people . Moreover , it allowed the minstrels to view from all sides the realm of blackness as white emissaries of black culture . Their self - marginalization is an interesting and ...
... appropriate and commodify at the expense of black people . Moreover , it allowed the minstrels to view from all sides the realm of blackness as white emissaries of black culture . Their self - marginalization is an interesting and ...
Pagina 54
... appropriate , commodify and emote on what they perceived as blackness . In addition to creating an expressive outlet for themselves , they simultaneously provided a social commentary on what it meant in their estimations to be both ...
... appropriate , commodify and emote on what they perceived as blackness . In addition to creating an expressive outlet for themselves , they simultaneously provided a social commentary on what it meant in their estimations to be both ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York