Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 25
... argued that Gershwin was one who best capitalized on the creation of an American canon in popular Western music ... argument that a work's popular reception significantly influences the way musicologists receive ( or don't receive ) ...
... argued that Gershwin was one who best capitalized on the creation of an American canon in popular Western music ... argument that a work's popular reception significantly influences the way musicologists receive ( or don't receive ) ...
Pagina 35
... argument that has supported substantial differences between " white " and " black " races is invalid . As in many instances of modern society , however , validity and truth appear to be at odds : Truth is , that Gershwin was the first ...
... argument that has supported substantial differences between " white " and " black " races is invalid . As in many instances of modern society , however , validity and truth appear to be at odds : Truth is , that Gershwin was the first ...
Pagina 57
... argue that Mickey Mouse's popularity came solely from derivations in nineteenth century blackface minstrelsy , one can draw connections between the popular tropes of the nineteenth century minstrelsy at the eve of the Civil War and the ...
... argue that Mickey Mouse's popularity came solely from derivations in nineteenth century blackface minstrelsy , one can draw connections between the popular tropes of the nineteenth century minstrelsy at the eve of the Civil War and the ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York