Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
Vanuit het boek
Resultaten 1-2 van 2
Pagina 53
... argues in favor of looking at this music within the context of its blackness . These sentiments speak convincingly to an understanding in American race relations that is centered on an inherently unstable , yet common - sensically 9 ...
... argues in favor of looking at this music within the context of its blackness . These sentiments speak convincingly to an understanding in American race relations that is centered on an inherently unstable , yet common - sensically 9 ...
Pagina 55
... argues that white men's fears were triggered by their perceived threats to the status quo : economic stagnation , a marked rise in immigration , an organized women's movement and the upwardly mobile status of black Americans.14 In ...
... argues that white men's fears were triggered by their perceived threats to the status quo : economic stagnation , a marked rise in immigration , an organized women's movement and the upwardly mobile status of black Americans.14 In ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
1 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
African American ambiguous American culture American music American popular music analysis appear appropriate argue articulated aspects attempt audiences authentic became become blackface minstrelsy cartoon character characterizations Chicago classical considered context continues copy critical cultural Dan Emmett dance desire difference discourse discuss Disney distinctions early Ellison enabled essay exist experience face fact fascination figures framework George Gershwin Gershwin gestures global Harlem helped identity ideology imitation interest interpretation Ironically jazz Jazz Age Jewish Jews legacy means Mickey Mouse Mickey's minstrel show minstrel tradition musicological Negro never nineteenth nineteenth-century blackface notions opera parody passing perceived performers phenomenon play popular music Porgy and Bess present primitive production race racial Renaissance representation represents Roediger seems sense significant slave social society song sound South speaks stage stereotypes story suggests transformation turn twentieth century University Press Western writes York