Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 5
... articulated primarily through sound . Minstrel music was not only percussive , consisting in part of banjo , tambourine and bones ( giving rise to the popularity of the end men , Tambo and Bones ) , it was also a primarily vocal music.4 ...
... articulated primarily through sound . Minstrel music was not only percussive , consisting in part of banjo , tambourine and bones ( giving rise to the popularity of the end men , Tambo and Bones ) , it was also a primarily vocal music.4 ...
Pagina 15
... articulated through the exotic primitive . Its growth is realized in a nostagic 24 Roediger , Wages , 123 . 25 Ibid , 13 . 26 Ibid , 119 . 27 For more in - depth discussions of African American blackface performers see , Southern , 291 ...
... articulated through the exotic primitive . Its growth is realized in a nostagic 24 Roediger , Wages , 123 . 25 Ibid , 13 . 26 Ibid , 119 . 27 For more in - depth discussions of African American blackface performers see , Southern , 291 ...
Pagina 31
... articulated by Rudolph Fisher , in " The Caucasian Storms Harlem , " first published in 1927. " Some think it's just a fad , " he writes of the white fascination for black cabarets , " White people have always more or less sought Negro ...
... articulated by Rudolph Fisher , in " The Caucasian Storms Harlem , " first published in 1927. " Some think it's just a fad , " he writes of the white fascination for black cabarets , " White people have always more or less sought Negro ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American ambiguous American culture American music American popular music analysis appear appropriate argue articulated aspects attempt audiences authentic became become blackface minstrelsy cartoon character characterizations Chicago classical considered context continues copy critical cultural Dan Emmett dance desire difference discourse discuss Disney distinctions early Ellison enabled essay exist experience face fact fascination figures framework George Gershwin Gershwin gestures global Harlem helped identity ideology imitation interest interpretation Ironically jazz Jazz Age Jewish Jews legacy means Mickey Mouse Mickey's minstrel show minstrel tradition musicological Negro never nineteenth nineteenth-century blackface notions opera parody passing perceived performers phenomenon play popular music Porgy and Bess present primitive production race racial Renaissance representation represents Roediger seems sense significant slave social society song sound South speaks stage stereotypes story suggests transformation turn twentieth century University Press Western writes York