Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 15
... attempt to parody and condemn ( albeit for a complex of reasons , as Lott shows ) , became nuanced by an emblematic veneration for blackness articulated through the exotic primitive . Its growth is realized in a nostagic 24 Roediger ...
... attempt to parody and condemn ( albeit for a complex of reasons , as Lott shows ) , became nuanced by an emblematic veneration for blackness articulated through the exotic primitive . Its growth is realized in a nostagic 24 Roediger ...
Pagina 19
... attempts to articulate the ways in which nineteenth century blackface minstrelsy has affected our twentieth century notions of blackness . It would , of course , be unreasonable to characterize Gershwin as a nineteenth - century ...
... attempts to articulate the ways in which nineteenth century blackface minstrelsy has affected our twentieth century notions of blackness . It would , of course , be unreasonable to characterize Gershwin as a nineteenth - century ...
Pagina 44
... attempt was clearly made to capture and characterize a Negro racial sound at its most natural , most impulsive , and most primitive . According to the composer himself , every effort was made to maintain " racial integrity . " There is ...
... attempt was clearly made to capture and characterize a Negro racial sound at its most natural , most impulsive , and most primitive . According to the composer himself , every effort was made to maintain " racial integrity . " There is ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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