Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
Vanuit het boek
Resultaten 1-3 van 16
Pagina 11
... audiences . In their enactments of blackness , these men and the audiences they entertained were passing too , i.e. , they were " accepted as being something [ they were ] not . " 12 I use the term here not ironically , but rather ...
... audiences . In their enactments of blackness , these men and the audiences they entertained were passing too , i.e. , they were " accepted as being something [ they were ] not . " 12 I use the term here not ironically , but rather ...
Pagina 28
... audiences . Part of the artifice of blackface minstrelsy , however , was the recognition of white skin underneath the blackface performance . Everyone was in on the joke knew that the performers were merely " performing blackness ...
... audiences . Part of the artifice of blackface minstrelsy , however , was the recognition of white skin underneath the blackface performance . Everyone was in on the joke knew that the performers were merely " performing blackness ...
Pagina 42
... audiences " get a bit of [ the ] Other " just like the American minstrel shows did.45 Unlike the nineteenth- century audiences of blackface minstrelsy , however , modern critics , both white and black , appeared less convinced by ...
... audiences " get a bit of [ the ] Other " just like the American minstrel shows did.45 Unlike the nineteenth- century audiences of blackface minstrelsy , however , modern critics , both white and black , appeared less convinced by ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
1 andere gedeelten niet getoond
Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York