Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 8
... became Rice's “ Jump Jim Crow " and later became part of the basic architecture of hip hop . " 8 The shortcomings to these texts , in my view , are that they largely sublimate critical musicological discussions of how sound both informs ...
... became Rice's “ Jump Jim Crow " and later became part of the basic architecture of hip hop . " 8 The shortcomings to these texts , in my view , are that they largely sublimate critical musicological discussions of how sound both informs ...
Pagina 16
... became racially masked by the technological advancements of talking pictures and phonographs . What had in the past been an embodiment of racial passing became an even more distanced representation of blackness articulated in sound ...
... became racially masked by the technological advancements of talking pictures and phonographs . What had in the past been an embodiment of racial passing became an even more distanced representation of blackness articulated in sound ...
Pagina 24
... became a strategic homogenizing device through which non - whites could racially assimilate themselves into privileged whiteness . In other words , they could musically " pass " into whiteness through blackness . When these men in the ...
... became a strategic homogenizing device through which non - whites could racially assimilate themselves into privileged whiteness . In other words , they could musically " pass " into whiteness through blackness . When these men in the ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York