Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 8
... become accepted as a part of the subconscious , translated and transmuted to fit the needs of the present age . According to Lhamon , “ That's how the stance of the dancers for the eels became Rice's “ Jump Jim Crow " and later became ...
... become accepted as a part of the subconscious , translated and transmuted to fit the needs of the present age . According to Lhamon , “ That's how the stance of the dancers for the eels became Rice's “ Jump Jim Crow " and later became ...
Pagina 10
... become what they are not . Seldom raised in the discussion of passing , however , are acknowledgements that white people can pass too , both literally , as in the case of John Howard Griffin's exposé Black Like Me ( 1959 ) , and ...
... become what they are not . Seldom raised in the discussion of passing , however , are acknowledgements that white people can pass too , both literally , as in the case of John Howard Griffin's exposé Black Like Me ( 1959 ) , and ...
Pagina 64
... become cheapened and vilified in the process of becoming known or famous . Our mouse , hero , and Everyman is reduced to prostitution and empty meaning . Such is the characterization that Fredric 31 Robert Toll , Blacking Up : The ...
... become cheapened and vilified in the process of becoming known or famous . Our mouse , hero , and Everyman is reduced to prostitution and empty meaning . Such is the characterization that Fredric 31 Robert Toll , Blacking Up : The ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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Veelvoorkomende woorden en zinsdelen
African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York