Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 10
... white people can pass too , both literally , as in the case of John Howard Griffin's exposé Black Like Me ( 1959 ) , and figuratively / sonically , as in the cases that I am presenting below . In what amounts essentially to a dramatic ...
... white people can pass too , both literally , as in the case of John Howard Griffin's exposé Black Like Me ( 1959 ) , and figuratively / sonically , as in the cases that I am presenting below . In what amounts essentially to a dramatic ...
Pagina 11
... white society , primarily because passing's very foundation is constructed on the premise of racial deceit ; in this ... black to white , I am necessarily reversing its direction in order to apply it to aspects of blackface minstrelsy ...
... white society , primarily because passing's very foundation is constructed on the premise of racial deceit ; in this ... black to white , I am necessarily reversing its direction in order to apply it to aspects of blackface minstrelsy ...
Pagina 80
... White Skin , Black Face in American Culture . New York : Oxford University Press , 1997 . Hamm , Charles . Yesterdays : Popular Song in America . New York : Norton , 1979 . Heide , Robert and John Gilman . Cartoon Collectibles 50 Years ...
... White Skin , Black Face in American Culture . New York : Oxford University Press , 1997 . Hamm , Charles . Yesterdays : Popular Song in America . New York : Norton , 1979 . Heide , Robert and John Gilman . Cartoon Collectibles 50 Years ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York