Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 15
... Minstrelsy became the most popular music of America , ergo blackface performers were said to be in the ' Negro business , '26 which seems also to have been the business of making money . Though it is beyond the scope of this thesis , ...
... Minstrelsy became the most popular music of America , ergo blackface performers were said to be in the ' Negro business , '26 which seems also to have been the business of making money . Though it is beyond the scope of this thesis , ...
Pagina 53
The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey Mouse Maya C. Gibson. From a musical standpoint , nineteenth - century blackface minstrelsy seems as indebted to the folksong styles of the British as to ...
The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey Mouse Maya C. Gibson. From a musical standpoint , nineteenth - century blackface minstrelsy seems as indebted to the folksong styles of the British as to ...
Pagina 57
... blackface minstrelsy of the nineteenth century . These desires were propelled in part by the need to evade ... blackface minstrel phenomenon pre - dates our fascination with Mickey Mouse during the Great Depression . But the needs ...
... blackface minstrelsy of the nineteenth century . These desires were propelled in part by the need to evade ... blackface minstrel phenomenon pre - dates our fascination with Mickey Mouse during the Great Depression . But the needs ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York