Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 23
... century blackface minstrelsy powerfully informs the development and experience of popular music in the twentieth century . While the motivations that attribute racialized characteristics in Western music are at least as old as the ...
... century blackface minstrelsy powerfully informs the development and experience of popular music in the twentieth century . While the motivations that attribute racialized characteristics in Western music are at least as old as the ...
Pagina 28
... century media enabled white men to temporarily pass for colored in a way not possible in the nineteenth century . Furthermore , without the need to flash their skin , the act of passing was made that much more significant for men of the ...
... century media enabled white men to temporarily pass for colored in a way not possible in the nineteenth century . Furthermore , without the need to flash their skin , the act of passing was made that much more significant for men of the ...
Pagina 54
... century , captivated white American audiences , enabling both a fear of and a fascination for most representations of blackness.13 These attitudes seem especially prevalent when examined both from within the context of nineteenth - century ...
... century , captivated white American audiences , enabling both a fear of and a fascination for most representations of blackness.13 These attitudes seem especially prevalent when examined both from within the context of nineteenth - century ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York