Blacking Up, Passing Down: The Minstrel Legacy in George Gershwin's Porgy and Bess and Walt Disney's Mickey MouseUniversity of Wisconsin--Madison, 1999 - 166 pagina's |
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Pagina 7
... characterizations that allow an insightful and panoramic view into the aspects and conditions which fostered the nineteenth- century minstrel craze in America ; at its worst , his rhetoric appears to mask a bizarre conglomeration of ...
... characterizations that allow an insightful and panoramic view into the aspects and conditions which fostered the nineteenth- century minstrel craze in America ; at its worst , his rhetoric appears to mask a bizarre conglomeration of ...
Pagina 23
... characterizations on music may have reached its pinnacle early in the twentieth century with sharp distinctions drawn between jazz and classical music idioms . In the United States , this driving need to sequester sound based on its ...
... characterizations on music may have reached its pinnacle early in the twentieth century with sharp distinctions drawn between jazz and classical music idioms . In the United States , this driving need to sequester sound based on its ...
Pagina 24
... characterizations manage to displace critical interpretations of popular music by effectively blotting them out of documented Western musicological existence . The music's tremendous popularity , however , does not wane . Early ...
... characterizations manage to displace critical interpretations of popular music by effectively blotting them out of documented Western musicological existence . The music's tremendous popularity , however , does not wane . Early ...
Inhoudsopgave
Baptism Through Blackness | 23 |
Theres a Lot of the Mouse in Me Mickey Mouse | 49 |
Imitations of the Dance | 72 |
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African American Afro-American Alpert American culture American minstrelsy American music American popular music analysis articulated authentic black culture black music blackface minstrel tradition blackface performers burnt cork caricature cartoon characterizations Chicago Press classical commodify context Critical Inquiry dance David Roediger discourse of passing Disney early minstrels early twentieth-century essay ethnomusicology expense of black fascination film framework George Gershwin Gershwin and Mickey gestures Harlem Renaissance Heyward Ibid ideology imitation Jazz Age Jazz Singer Jewish Jews Jolson Jump Jim Crow Lott Michael Taussig Michelle Shocked Mickey Mouse Mickey represents Mickey's popularity minstrel figure minstrel legacy Minstrel Mask minstrel show modern Moellenhoff Mouse's musicological Negro nineteenth nineteenth-century blackface minstrelsy opera parody pastiche perceived Porgy and Bess postmodern primitive race racial identity racial passing racially ambiguous Ralph Ellison significant slave social song sonic sound speaks stereotypes thesis Tin Pan Alley Torgovnick trope twentieth century University Press Western white Americans York